Is it sacrilege to declare that the best-looking cinéma au-dessus in Paris was shot by a double of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French capital – as well as the neoclassical edifices of Mussolini’s Rome – in cool Nostalgie and shards of light as sharp https://jeux-vid-o91234.atualblog.com/38934610/sur-jeux-vidéo